Sara Baranzoni Via Fogliano 192/2 Maranello Modena – Italy [email protected]+39 349 7782658 Sucre y Obando Luna Ed. Metropolis int. 8 Ibarra – Ecuador sbaranz[email protected]+593 983712649 Principal affiliation: IRI – Institut de recherche et innovation – Paris http://www.iri.centrepompidou.fr/ YACHAY TECH – www.yachaytech.edu.ec SENESCYT – Prometeo Project Professional/scientific curriculum Sara Baranzoni (1981, Sassuolo/Modena, Italy), PhD and Research Fellow, conducts her researches from an interdisciplinary perspective crossing philosophy, arts and performance studies. During the last years she has concentrated her studies toward French philosophy (Foucault, Klossowski, Deleuze, Guattari, Derrida, Stiegler) and International Performance Studies. Investigating the multiplication of possibilities of thought generated by this intersection of plans, she focused in particular on the following themes: subjectivities and individuation processes, bodies, image/time, health and caring practices, social conditions and limitations in (for) creativity and thinking processes. Language spoken: Italian (native language) English (advanced) French (advanced) German (sufficient – A2 level) Spanish (sufficient – A2 level) Academic achievements: − 2006: Graduated (BA+ MA) cum laude in Communication Sciences with a dissertation titled: Il lavoro dell’attore e le tecnologie del sé. Prospettive teatrali da Michel Foucault. Institution: Alma Mater Studiorum – Bologna University. − 2011: PhD in Theatre and Cinema Studies, with a dissertation titled: Pensiero e creazione. Il Theatrum philosophicum di Gilles Deleuze. Rating: excellent. Institution: Alma Mater Studiorum – Bologna University.
Transcript
Sara Baranzoni Via Fogliano 192/2 Maranello Modena – Italy [email protected] +39 349 7782658
Sucre y Obando Luna Ed. Metropolis int. 8 Ibarra – Ecuador [email protected] +593 983712649
Principal affiliation: IRI – Institut de recherche et innovation – Paris http://www.iri.centrepompidou.fr/ YACHAY TECH – www.yachaytech.edu.ec SENESCYT – Prometeo Project Professional/scientific curriculum Sara Baranzoni (1981, Sassuolo/Modena, Italy), PhD and Research Fellow, conducts her researches from an interdisciplinary perspective crossing philosophy, arts and performance studies. During the last years she has concentrated her studies toward French philosophy (Foucault, Klossowski, Deleuze, Guattari, Derrida, Stiegler) and International Performance Studies. Investigating the multiplication of possibilities of thought generated by this intersection of plans, she focused in particular on the following themes: subjectivities and individuation processes, bodies, image/time, health and caring practices, social conditions and limitations in (for) creativity and thinking processes. Language spoken: Italian (native language) English (advanced) French (advanced) German (sufficient – A2 level) Spanish (sufficient – A2 level) Academic achievements:
− 2006: Graduated (BA+ MA) cum laude in Communication Sciences with a dissertation titled: Il lavoro dell’attore e le tecnologie del sé. Prospettive teatrali da Michel Foucault. Institution: Alma Mater Studiorum – Bologna University.
− 2011: PhD in Theatre and Cinema Studies, with a dissertation titled: Pensiero e
creazione. Il Theatrum philosophicum di Gilles Deleuze. Rating: excellent. Institution: Alma Mater Studiorum – Bologna University.
− 2014: Research Fellow position (one year), in Darvipem Department (Department of
Visual, Performative and Medial Arts) of Alma Mater Studiorum – Bologna University. Research title: Images de la bêtise. Exploring stupidity in contemporary creation.
− Currently: Prometeo Researcher in Yachay Tech University (Urcuquí – Ecuador). One-‐‑
year grant based on a research in the field of technological sciences. Title: Innovation in education and cultural performance through digital society: an application to the Ecuadorian situation through Yachay Tech.
Academic experiences (university teaching):
− From 2007 teaching assistant to professor Marco De Marinis, and from 2008 part of the examination board for “History of Theatre” teaching (Dams-‐‑Darvipem, Bologna).
− AA. 2013/2014: two-‐‑lessons seminar (theme: philosophy and performance) at Doctoral School in Theatre and Performance Studies (Dams-‐‑Darvipem, Bologna); title: Between thought and creation. Tracing plans; Concepts of the scene:machines of expression and sensible materials.
− A.A. 2014/2015: two-‐‑lessons seminar (theme: philosophy and performance) at Doctoral School in Theatre and Performance Studies (Dams-‐‑Darvipem, Bologna); title: (un)thought and creation (on stupidity as transcendental condition of thought and creation).
− 2015: training seminars in Yachay Tech. Theme: Philosophy, technology and performance (ongoing).
− 2015/2016: teaching in Science, Technology, Society (English). Ongoing. Work experience:
− Research fellow. Institution: Darvipem Department (Department of Visual, Performative and Medial Arts) of Alma Mater Studiorum – Bologna University. Beginning: January 2014. End: January 2015.
Activities: assistant professor and exams board committee; activity as Phd candidates tutor (organizing lessons, monitoring their courses, counselling); didactic organisation. Organisation of seminars and conferences.
− Current: Research fellow. Institution: Yachay Tech University (Urcuquí, Ecuador). Beginning: April 2015. End: April 2016 .
Conferences, lectures, seminars:
− 2007: Lecture: Michel Foucault e la cura di sé. University of Bologna, Doctoral School in Theatre Studies, Italy.
− 2008: Seminar lecture: Dalla parola speculativa alla Figura speculare: Klossowski e la teatralità del simulacro; University of Bologna, Doctoral School in Theatre Studies, Italy. Seminar: “Sulla Rappresentazione”.
− 2009: Seminar lecture: Nomadic Performer; University of Bologna, Doctoral School in Theatre Studies, Italy. Seminar: “Theatrum Philosophicum”. (Italian)
− 2010: Seminar Lecture: Immagine/Visione; University of Bologna, Doctoral School in Theatre Studies, Italy. Seminar: “Lexicon”. (Italian)
− September 2012: Lecture: How shall I act?; Opening Lecture – philosophical conference during “Crisalide”, Festival of Performance and Philosophy, Forlì, Italy. (Italian)
− January 2013: Inaugural lecture: Cos'è il contemporaneo?. Teatro Diego Fabbri – opening of the experimental theatre season 2013 (Forlì, Italy).
− August 2013: Lecture: Occuper et prendre soin. (with P. Vignola). Bernard Stiegler's Summer School “Pharmakon.fr”, France. (French)
− November 2013: Seminar lecture: Pensiero e creazione 1. Tracciare Piani. University of Bologna, Doctoral School in Theatre Studies, Italy. Seminar: “Performance and Philosophy”. (Italian)
− November 2013: Seminar lecture: Pensiero e creazione 2. Concetti della scena: machine di espressione e materiali sensibili. University of Bologna, Doctoral School in Theatre Studies, Italy. Seminar: “Performance and Philosophy”. (Italian)
− June 2014: International conference “Theatre, Performance, Philosophy: Crossings and Transfers in Contemporary Anglo-‐‑American Thought”, Paris, La Sorbonne, 26-‐‑28 June. Lecture: Aux marges de la performativité : allers-‐‑retours entre la philosophie anglo-‐‑américaine et la philosophie française. (French)
− August 2014: Lecture: La performance : ciné-‐‑théâtre du corps social. Bernard Stiegler's Summer School “Pharmakon.fr), France. (French)
− September 2014: Lecture: Artaudiana. Il sogno dei teatri. Invitation by "Contemporart" association Genova, Italy. (Italian)
− November 2014: Seminar lecture: (s)pensiero e creazione 1. Artaud pensatore trascendentale. University of Bologna Doctoral School in Theatre Studies, Italy. Seminar: “Performance and Philosophy”. (Italian)
− November 2014: Seminar lecture: (s)pensiero e creazione 2. Carmelo Bene: il depensamento in opera. University of Bologna Doctoral School in Theatre Studies, Italy. Seminar: “Performance and Philosophy”. (Italian)
− March 2015: International Conference Affordances of Symbiosis – Metabody International Network – Weimar (5-‐‑6 March). Lecture: Affordances of the self and others. Grammatization, sensibility, care (with P. Vignola). (English)
− May 2015: Seminar lecture: Traduction e(s)t interprétation. Lignes de Temps et l'hypothèse d'un web hermaieutique (with D. Ross and P. Vignola). Video-‐‑conference, seminar “Muséologie, Muséographie et nouvelles formes d'adress au public” (IRI, Paris). (French)
− May 2015: Lecture: Technology and Knowledge: A Pharmacological Approach (with D. Ross and P. Vignola). Yachay Tech, Ecuador. (English)
− June 2015: Seminar lecture: Technology Between Critical Knowledge and Innovation (with D. Ross and P. Vignola). Symposium: “La construcción conjunta de una cultura de la investigación y la innovación”)Universitad Tecnica del Norte, Ibarra, Ecuador. (English)
− June 2015: Seminar lecture: Cosa può perdere un corpo? Nuove affordances e sensibilità operazionale. Philosophical Seminar in University of Turin. (Italian)
− June 2015: International Conference. Lecture Title: Algorithmic An-‐‑Aesthetisation. Computational Knowledge and the Defeat of Sensibility. London Conference of Critical Thought (LCCT), London (26-‐‑27 June).
− August 2015: Round Table, with D. Ross and P. Vignola. Title: There Are Lots Of Alternatives – For a Social Economy of Innovation, Yachay Tech (“Innovation Day”).
− August 2015: Lecture: Critique de la sensibilité indifférante. Protentions automatiques et avenir, Bernard Stiegler's Summer School “Pharmakon.fr, France. (French)
− August 2015: Seminar Lecture: Immaginazione di sé e degli altri. Esperienza condivisa e formattazione tecnologica, Symposium “Social e: lo spazio del pensiero”, Albenga, Italy. (Italian)
− December 2015: Lecture: “(Re)immaginare il futuro fra Antropocene e Accelerazione”, University of Modena and Reggio Emilia, Seminar of Cultural Anthropology. (Italian)
Projects held: scientific, editorial, critical and artistic experiences/consultancies
− From 2007: Editorial Board of Culture Teatrali journal; − 2011: participation and co-‐‑direction of a one-‐‑week critical-‐‑writing atelier on
performance during the philosophy and performance festival Crisalide XVIII (Forlì-‐‑Italy). http://www.crisalidefestival.eu/scienzediagonali/it
− 2011: participation and co-‐‑direction of a two-‐‑week critical-‐‑writing atelier on performance during the performing arts festival Naturadèiteatri (Parma-‐‑Italy). http://lenzrifrazioni.it/visioni2011/
− 2012: Organisation, curation and participation: Congress “How shall I Act? -‐‑ Towards a philosophy of reality” (2012, 16th September), during the festival Crisalide XIX (Forlì-‐‑Italy, hosted by Masque teatro group).
− 2012/2013: Critical and artistic consultancy, Masque Teatro (Forlì, Italy). − 2013: participation to the philosophical seminar/laboratory “Critique of Creative
Reason” during the festival Crisalide XX (Forlì, Italy). Critical consultancy. − 2013/2014: Innovation project: “Contributive Categorisation” (IRI, Paris, France). − 2014: Foundation and co-‐‑direction (with Paolo Vignola) of the philosophical online
journal La deleuziana (www.ladeleuziana.org). − 2014: Theoretical and artistic work in Urban spray lexicon project (Ateliersi, Bologna,
Italy). One-‐‑week residence, participation in the show as “speaking voice”. − 2014: Research project “Archecinema”. Research Seminar held in collaboration with
IRI – Paris, France. − 2015/2016: Prometeo Research Project, in collaboration with Senescyt – Ecuador and
Yachay Tech University -‐‑ Ecuador. International memberships and affiliations:
− Member of Bernard Stiegler's seminar group pharmakon.fr − IRI – Institut de Recherche et Innovation (Paris, France). − La deleuziana (online philosophical journal): editorial board and chief editor. − Culture Teatrali (journal): editorial board − Member of the international network Deleuze studies − Member of the international network Performance Philosophy (and Performing Philosophy France) − Member of LAPS (Laboratoire des Arts et Philosophies de la Scène, Paris, France) − Darvipem – University of Bologna – member of exams board committee (Theatre and Performance
History). Consultancies:
− 2012/2013: Institution: Masque Teatro (Forlì, Italy). Critical and artistic consultancy: collaboration in programming Crisalide Festival XIX (choice of invited artists, performances and calendar).
− 2013: participation to the philosophical seminar/laboratory “Critique of Creative
Reason” during the festival Crisalide XX (Forlì, Italy). Critical consultancy: monitoring the conferences and their impact on the festival.
− 2013/2014: Innovation project: Contributive categorisation (IRI, Paris, France). I
participated as consultant helping to construct a theoretical horizon based on the theory of performance/performativity.
− 2014: Artistic project: participation as “speaking voice” in Urban spray lexicon project
(Ateliersi, Bologna, Italy). Participation as consultant to the "Urban Spray lexicon Project", Ateliersi, Bologna, October/November 2014. During this consultancy I held a theoretical research on the theme of symptomatology to improve the construction of a three-‐‑day project between theatre and philosophy.
Main publications: Books:
− (edited by) How shall I act? Per una filosofia della realtà, Edizioni Kainos -‐‑ youcanprint, 2013
− (edited by, with P. Vignola) La salute della filosofia, Aracne, Roma 2014 − (edited by, with P. Vignola) Ritracciare il sociale. Dal social alla polis e ritorno, Kaiak
edizioni, Napoli (forthcoming 2016) Book chapters:
− Introduzione, in S. Baranzoni (edited by) How shall I act? Per una filosofia della realtà, Edizioni Kainos -‐‑ youcanprint, 2013, pp. 7-‐‑16.
− Intervista a Bernard Stiegler (interview), edited and translated in collaboration with P. Vignola, in S. Baranzoni (edited by) How shall I act? Per una filosofia della realtà, Edizioni Kainos -‐‑ youcanprint, 2013, pp. 87-‐‑94.
− Sovrapposizioni e dispersioni. Il depensamento filosofico di Carmelo Bene, in A. Bruzzone, P. Vignola (a cura di), Margini della filosofia contemporanea, Orthotes, Napoli 2013, pp. 307-‐‑319.
− Introduzione. La grande salute della filosofia (with P. Vignola), in S. Baranzoni, P. Vignola, La salute della filosofia, Aracne, Roma 2014, pp. 9-‐‑30.
− Foucault e la filosofia antica : cura, esperienza e scrittura di sé, in S. Baranzoni, P. Vignola, La salute della filosofia, Aracne, Roma 2014, pp. 169-‐‑189.
− Performing creativity, in La deleuziana n.0, http://www.ladeleuziana.org/la-‐‑deleuziana-‐‑n-‐‑0-‐‑critica-‐‑della-‐‑ragion-‐‑creativa-‐‑forthcoming/ isbn book code: 9788894011203, pp. 71-‐‑84.
− L’hiver de la pensée. Symptomatologie de la bêtise à l’âge du défaut grec (with P. Vignola), in La deleuziana n.0, http://www.ladeleuziana.org/la-‐‑deleuziana-‐‑n-‐‑0-‐‑critica-‐‑della-‐‑ragion-‐‑creativa-‐‑forthcoming/ isbn book code: 9788894011203, pp. 229-‐‑239.
− “Cosa state facendo di voi stessi?”. Guattari e la televisione, verso un’era post-‐‑media, in I. Pelgreffi, Il filosofo e il suo schermo 2, Kaiak Edizioni, Napoli (forthcoming 2016).
− Along the Margins of Performativity, in A. Street, J. Alliot, M. Pauker, Inter views in Performance Philosophy, Palgrave, London-‐‑New York (forthcoming 2016).
− Il noi che sente. Esperienza condivisa e formattazione tecnologica, in S. Baranzoni, P. Vignola, Ritracciare il sociale. Dal social alla polis e ritorno, Kaiak edizioni, Napoli (forthcoming 2016).
Main articles (journals/online journals):
− Dalla parola speculativa alla Figura speculare: Klossowski e la teatralità del simulacro, Culture Teatrali n. 18, primavera 2008, I Quaderni del Battello Ebbro, Bologna 2010 (indexed)
− Pensiero e creazione. Il “teatro del futuro” di Gilles Deleuze, Culture Teatrali n. 22, La Casa Usher, 2013, pp. 267-‐‑299 (indexed)
− (with P. Vignola) Cosa potrebbe un corpo? Il dividuale e l’individuazione della filosofia contemporanea, La Deleuziana, 1, 2015, pp. 158-‐‑173. http://www.ladeleuziana.org/issue1/
− (with P. Vignola) Ultima fermata Antropocene. Accelerare o biforcare?, Kaiak, 2. − Algorithmic and Machinic An-‐‑Aestheticism, «London Journal of Critical Thought»
(approved/forthcoming).
− Algorithmic An-‐‑Aesthetisation. Computational Knowledge and the Defeat of Sensibility, La Deleuziana, Special Issue (approved/forthcoming).
− (with P. Vignola, D. Ross) Technology and Research in Ecuador: an Inquiry, Vive la Ciencia (approved/forthcoming).
